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    A popular lower garment worn by both men and women across India, the paijama, or pyjama, is a kind of loose-fitting trouser held at the waist by a drawstring. The name is a composite of two Persian words: pae, meaning “leg” or “foot,” and jama, meaning “covering.” There are several variants of the paijama, which differ in length, girth and tightness, including the sharai paijama, the Punjabi ghuttana and the farshi paijama.

    The garment is widely believed to be a Persian import to India, however there is evidence of its existence dating back to the Gupta period (319–467 CE). Notably, there are four garments similar to the paijama which make an appearance on artifacts from this time: the sutalā, which covered both the ankle and feet; the pinga, which reached right up to the ankle; the svasthana, covering the knee and half the calf; and, lastly, the chāndtika, which reached till the knee. The Harshacharita, a biography of the Indian emperor Harsha (606–47 CE), also mentions the first three garments, though detailed descriptions of each are not mentioned. Another similar garment from ancient India was the chalana, a type of loose-fitting trouser popular in the Kushan period (30–375 CE).

    The paijama became ubiquitous in the Mughal era and was worn paired with upper garments such as the peshwaz, kurta, jama, chapkan or angrakha. Since it complemented the pirahan – a popular upper garment from this period – so well, the paijama also received the title of yar pirahan, or “companion of the pairhan,” during the rule of the emperor Akbar. In the late eighteenth, the wide-legged paijama gained favour over the more fitted variant that appears in several Mughal and Pahari paintings. During this time, the paijama was also adopted by Rajput foot soldiers as a utilitarian alternative to the dhoti, since it afforded the wearer far greater mobility.

    By the nineteenth century, wide-legged paijamas made of cotton or silk that almost trailed the ground became common in the courts of Delhi and Lucknow, and were known as the sidha paijama or arz ke painchon ka paijama. Another widely-recorded garment similar to the paijama is the chudidaar. Within the Islamic tradition, the paijama is also known as izar, due to which the drawstring used to hold the paijama at the waist is also called the izarband.

    During the seventeenth and the eighteenth centuries, the garment also gained popularity among the British in India, who referred to it as ‘mogul’s breeches.’ By the 1870s, it was being exported to Britain by the East India Company and became a common form of nightwear or loungewear for men. In the 1920s, through the influence of fashion designers such as Coco Chanel, it was adopted by women as well.

    The modern-day paijama is made from a variety of fabrics and remains a popular garment across the world.



    Dolce and Gabbana. “The pyjama from the Raj to LA.” Accessed September 18, 2021.

    Goswamy, BN, Kalyan Krishna and Tarla Dundh. Indian Costumes in the Collection of the Calico Museum of Textiles. Ahmedabad: Sarabhai Foundation, 1993.

    Kumar, Ritu and Cathy Muscat. Costumes and Textiles of Royal India. London: Christie’s, 1999.

    Mohapatra, Ramesh Prasad. Fashion Styles of Ancient India. Delhi: BR Publishing Corporation, 1992.

    Parkinson, Justin. “When pyjama’s ruled the fashion world.” BBC, January 31, 2016. Accessed September 18, 2021.

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