In an attempt to keep our content accurate and representative of evolving scholarship, we invite you to give feedback on any information in this article.

    This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.


    ARTICLE

    Anita Dube (b. 1958)

    Map Academy

    Articles are written collaboratively by the EIA editors. More information on our team, their individual bios, and our approach to writing can be found on our About pages. We also welcome feedback and all articles include a bibliography (see below).

    An artist, art historian and critic, Anita Dube uses the mediums of sculpture, installation and text to explore how memory, history and mythology shape personal and collective experience.

    Dube was born in Lucknow in 1958 to a family of medical professionals. She studied history at the Lady Shri Ram College for Women, New Delhi, before completing a master’s in art criticism from the Maharaja Sayajirao University in Vadodara. After this, she joined the short-lived Indian Radical Painters and Sculptors’ Association (also known as the Radical Group), becoming its only woman artist and the only member not from Kerala. She authored the catalogue for its most noted exhibition, Questions and Dialogue, held in Vadodara in 1987. The group disbanded in 1989, following the death of its founder, KP Krishnakumar.

    After a brief stint as an art critic, Dube began making art full time. The concept of found objects, drawn from a variety of sources, occupies a central place in her practice and she has worked with a number of materials, including bones, dentures, velvet, beads, foam and plastic. Over the past decade, text and language have also emerged as significant elements in her art. Some notable works by her include Silence (Blood Wedding) (1999) and Strike (2014). In the first, she covered the bones of a human skeleton in velvet and beads to investigate notions of death and cultural heritage. In Strike, ceramic eyes – typically used in the creation of religious idols – are used in an installation centred around war and conflict.

    Dube has exhibited widely in India and abroad, including at Nature Morte, New Delhi; Bombay Art Gallery, Mumbai; Bose Pacia Gallery, New York, USA; and Galerie Dominique Fiat, Paris, France, among others. She is a founding member of the Khoj International Artists’ Workshop. In 2017, she was appointed curator of the Kochi-Muziris Biennale 2018, making her the first woman artist to hold the role.

    At the time of writing, Dube lives and works in New Delhi.

     

     
    Bibliography

    Baswani, Manisha Gera. “Anita Dube: Unravelling the Inner Workings Of A Prolific Thinker.” Verve, July 15, 2017. https://www.vervemagazine.in/people/anita-dube-unravelling-the-inner-workings-of-a-prolific-thinker

    Dube, Anita. Silence (Blood Wedding). 1999. Human bones covered in red velvet with beading and lace, dimensions variable. Devi Art Foundation on Google Arts and Culture. Accessed March 3, 2022. https://artsandculture.google.com/asset/silence-blood-wedding-anita-dube/GAHldUU9T5keDA?hl=en

    Jhaveri, Shanay. “Mutable Bodies: K.P. Krishnakumar and the Radical Association.” Afterall: A Journal of Art, Context and Enquiry, no. 36 (2014): 54–63. https://doi.org/10.1086/678339.

    Kalra, Vandana. “A Voice in Time.” Indian Express, April 23, 2017. https://indianexpress.com/article/lifestyle/art-and-culture/as-the-first-woman-curator-of-the-kochi-muziris-biennale-anita-dube-hopes-to-focus-on-contemporary-crises-and-marginalised-communities-4624123/

    Nature Morte. “Anita Dube.” Accessed March 3, 2022. http://naturemorte.com/artists/anitadube

    Feedback
     
    Related Content
    loading