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Section of a Coping Rail; Shunga Period, Bharhut, Madhya Pradesh, India; c. 150 BC; Sandstone; 30.5 x 122 cm; Cleveland Museum of Art

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Abhaya Mudra

Abhaya Mudra

One of the five commonly depicted...

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Chintz

Chintz

A glazed cotton fabric with a plain...

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Look a Little Closer

This royal chhatri, or umbrella, features intricate patterns and textures that we also see on the attire worn by the prince and princess portrayed underneath it. Their traditional garments, including jamas, angarkhas, paijamas and dupattas, contribute to our knowledge of culture and fashion at the time.

The vibrant red of the tent’s fabric here reflects the expertise of South Asian dyeing communities who were pioneers when it came to fixing vivid and long-lasting colours to cloth. The red colour we see is likely the result of the use of natural dyes such as lac or madder.

The painting depicts a huntress making love to a courtier who simultaneously aims his arrow at a tiger. Testing the limits of pleasure as well as strength, hunting has served as a metaphor for political and martial power, and the motif of tigers being hunted features widely across South Asian art.

Soft pastel colours and depictions of figures in profile as we see here, characterise Pahari painting styles of Rajput kingdoms at Basohli, Kulu, Guler and Kangra. The patronage of these courts is especially known to have established the careers of master artists such as Nainsukh and Manaku. Miniature paintings from these courts have also inspired contemporary artists such as Nilima Sheikh.

In addition to the intimate depiction of the two lovers we see here, notions of adoration are conveyed across South Asian art in a variety of ways. Mughal and Rajput paintings, for instance, often depict lovers swooning at each other’s sight.

The panels of this hunting enclosure, or qamargah, divide the scene temporally and spatially. Opulent fabrics such as these, have been used historically to also construct regal tents and shamianas that served as administrative centres, spaces of respite, entertainment, shelter and privacy, outside of palatial walls. Sign up for our Online Course to learn more about the various forms and functions associated with textiles.

Pleasures of the Hunt, c. 1800, Ink, opaque watercolor, gold and silver on paper, Metropolitan Museum of Art, New York

Stories

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Taken From Life: The Case of a 16th-century Indo-Portuguese Album

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Interior Worlds: The Legacy of Studio Photography in India

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The Business of Dreams: Photographs from the Studio of Suresh Punjabi

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Celebratory Processions: Art Historical Records and What They Tell Us

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Adorned in Dreams: Art and Poetry on Pakistan’s Highways

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The Travelling Gates: A Misadventure with Restoration

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A Sticky Reputation: South Asia Through Mangoes Then and Now

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An Indian Dancer Through an American Lens: Ram Gopal Visits Carl va...

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In Perpetual Bloom: Pietra Dura Ornamentation at the Taj Mahal

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Kalila wa Dimna: Arabic Fables Inspired by the Panchatantra

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Jain Monks, Scythian Princes and Persianate Influences: A 15th-cent...

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When Queen Victoria Tried to “Place Her Authority on the Mughal Thr...

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The Courtesan Who Commanded an Army: Begum Samru

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Staining Lips Red for Centuries: The Heart-Shaped Betel Leaf

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Niyati Dave Niyati Dave

Seeing Yourself in the Divine: The Sacred Mirrors of Kerala

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Diya Shah Diya Shah

How South Asian Art Reached the World’s Museums

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What One of the Earliest Mughal Paintings Says about Power and Ance...

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A Fifth-Century Sanskrit Play, Illustrated in Paris

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‘Heads’ for the Queen: Rudolf Swoboda’s Indian Portraits

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Art Meets Science: An 18th-Century Album Recording the Natural World

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How Kodak Ads Captured the Changing Indian Family

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Many Forms, Many Lives: Lajja Gauri in Indian Art

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How a Victorian Magazine Paved the Way for Satirical Writing in India

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From ‘Joy-Giver’ to Antidote: Cannabis Consumption in India

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European Cherubs and Hindu Gods: A Portrait of Emperor Jahangir

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Visions of an Unusual Utopia: Nek Chand’s Rock Garden

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What Hero Stones Say about Death, Glory and Religion in Medieval India

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Anirudh Kanisetti Anirudh Kanisetti

Collecting Chinese Porcelains in the Persianate World

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Caricaturing the West: Mewar’s ‘European Concoctions’

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Spiritual Transformations: Devī to Kami, India to Japan

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Distilling Rain in Three Acts: Paint, Dance, Bottle

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Amrita and Boris: A Romance in Images

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An Immortal Imaginary: The Legacy of Amar Chitra Katha

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Tarikh-i-Alfi: Creating the Image of an Ideal King

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Vishnu as Varaha: The Divine Boar From the Medieval to Modern

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Worship, Beauty and Fragrance: The Many Lives of the Jasmine Flower

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Chandrica Barua Chandrica Barua

Taxidermy, Beyond the Narrative of Trophy-Hunting

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Tales of Power and Prowess: Hanuman Bearing a Mountaintop with Medi...

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Lakshmi or Lakmé?: 19th Century Fashionable Orientalism

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Chandrica Barua Chandrica Barua

Finding the Dangling Man Across History

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Varun Nayar Varun Nayar

Hunting the Tiger: A Symbol of Imperial Power

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How Did Rajput Women Resist Patriarchal Portraiture?

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Khushmi Mehta Khushmi Mehta

Spies, the City of Tawariq and the Hamzanama

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Pooja Savansukha Pooja Savansukha

Kundan: Its History, Patronage and Making

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Shrey Maurya Shrey Maurya

The Peculiar Phenomenon of the Ajanta Cave Paintings

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Shrey Maurya Shrey Maurya

Street-theatre as a Form of Protest: Safdar Hashmi and JANAM

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The Waq-Waq Tree and How it Fuelled the Mughal Imagination

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Pooja Savansukha Pooja Savansukha

Parodying the Dubious Morality of the Bengali Middle-Class

Parodying the Dubious Morality of the Bengali Middle-Class

Shivani Kasumra Shivani Kasumra

Quilting as a Form of Assimilation: Siddi Quilts and Quilt-makers

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Shrey Maurya Shrey Maurya

Is Renaldi’s Muslim Lady Reclining a Subject to Voyeurism?

Is Renaldi’s Muslim Lady Reclining a Subject to Voyeurism?

Pooja Savansukha Pooja Savansukha

What’s an Ideal Response to Falling in Love?

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Khushmi Mehta Khushmi Mehta

Painting or a Diagram?: Looking at the Ayurvedic Man

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Shivani Kasumra Shivani Kasumra

Tracing Early Globalisation Through the Pineapple

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Anirudh Kanisetti Anirudh Kanisetti

How Talismanic Shirts Combined War and Literature

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Shivani Kasumra Shivani Kasumra

Karma, Rebirth and Naraka According to Jain Cosmology

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Shrey Maurya Shrey Maurya

What Makes a Tortoise Representative of the Earth in Bhagavata Purana?

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Chandrica Barua Chandrica Barua

The Orientalisation of Victoria Gouramma

The Orientalisation of Victoria Gouramma

Chandrica Barua Chandrica Barua

Karaikkal Ammaiyar: The Shaiva Poet-Saint

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Shrey Maurya Shrey Maurya

Traversing Linear Perspective: Awadh through Faizallah’s Eyes

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Arundhati Chauhan Arundhati Chauhan

How did an Indian Game on Cosmic Philosophy Transfix Victorian Engl...

How did an Indian Game on Cosmic Philosophy Transfix Victorian England?

Arundhati Chauhan Arundhati Chauhan

The Emperor and his Wine Cups

The Emperor and his Wine Cups

Shrey Maurya Shrey Maurya

The Dutch East India Company’s “Imitation” of the Indian Patola

The Dutch East India Company’s “Imitation” of the Indian Patola

Pooja Savansukha Pooja Savansukha

What Does the Legacy of Malik Ambar Tell us About the African-origi...

What Does the Legacy of Malik Ambar Tell us About the African-origin Diaspora in India?

Pooja Savansukha Pooja Savansukha

What Rembrandt Learned from Mughal Miniatures

What Rembrandt Learned from Mughal Miniatures

Shrey Maurya Shrey Maurya

Otherworldly Labyrinthes: The Purposes Forged by Stepwells

Otherworldly Labyrinthes: The Purposes Forged by Stepwells

Pooja Savansukha Pooja Savansukha

A Clandestine Meeting of Lovers: Chokha’s “Escapade at Night”

A Clandestine Meeting of Lovers: Chokha’s “Escapade at Night”

Shrey Maurya Shrey Maurya

Jewels and Horses: How the Horsehead Hilts combined two royal inter...

Jewels and Horses: How the Horsehead Hilts combined two royal interests of the Mughals

Shrey Maurya Shrey Maurya

From Monasteries to Community Theatre

From Monasteries to Community Theatre

Shrey Maurya Shrey Maurya

How Taj Mahal Inspired Dilras Banu Begum’s Tomb

How Taj Mahal Inspired Dilras Banu Begum’s Tomb

Pooja Savansukha Pooja Savansukha

A Zoophyte Fantasy?

A Zoophyte Fantasy?

Pooja Savansukha Pooja Savansukha

Does “Krishna’s Longing for Radha” Echo the Lyricism of Jayadeva’s ...

Does “Krishna’s Longing for Radha” Echo the Lyricism of Jayadeva’s Gita Govinda?

Pooja Savansukha Pooja Savansukha

Offering Empathy: The Abhaya Mudra

Offering Empathy: The Abhaya Mudra

Shrey Maurya Shrey Maurya

Of Shiva or Ravana?: The Origins of Rudra Veena

Of Shiva or Ravana?: The Origins of Rudra Veena

Shrey Maurya Shrey Maurya

Murder and Art: The Kalighat Paintings of the Tarakeshwar Murder Trial

Murder and Art: The Kalighat Paintings of the Tarakeshwar Murder Trial

Pallavi Surana Pallavi Surana

Mapping the History of Ladakh’s Looms Through Murals

Mapping the History of Ladakh’s Looms Through Murals

Shrey Maurya Shrey Maurya

What Can the Construction of Gardens Reveal to us About Imperial Mo...

What Can the Construction of Gardens Reveal to us About Imperial Motives?

Pooja Savansukha Pooja Savansukha

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