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Section of a Coping Rail; Shunga Period, Bharhut, Madhya Pradesh, India; c. 150 BC; Sandstone; 30.5 x 122 cm; Cleveland Museum of Art
Article
One of the five commonly depicted...
Glossary
A glazed cotton fabric with a plain...
Cluster
Known for their intricacy and small scale..
Just Launched
Short Course
By the MAP Academy and Dr Annapurna Garimella
Short Course
By the MAP Academy and Dr Beth Citron
Short Course
By the MAP Academy
Pleasures of the Hunt , c. 1800, Ink, opaque watercolor, gold and silver on paper, Metropolitan Museum of Art, New York
Stories
Trade, Power, Imagination: A 16th Century Portuguese Atlas
Trade, Power, Imagination: A 16th Century Portuguese Atlas
Harleen Kaur Bagga
Desires, Reactions, Interpretations: Murals and Inscriptions from S...
Desires, Reactions, Interpretations: Murals and Inscriptions from Sigiriya
Sarthak Sharma
Hortus Malabaricus — How the Garden of Malabar Travelled the World
Hortus Malabaricus — How the Garden of Malabar Travelled the World
Rachna Shetty
Taken From Life: The Case of a 16th-century Indo-Portuguese Album
Taken From Life: The Case of a 16th-century Indo-Portuguese Album
Harleen Kaur Bagga
Mediated Conversations: Threshold Floor Drawings and the Blurring o...
Mediated Conversations: Threshold Floor Drawings and the Blurring of the Private and the Public
Alolika De
Art and Power: Networks of Patronage in Contemporary South Asia
Art and Power: Networks of Patronage in Contemporary South Asia
Rachna Shetty
Interior Worlds: The Legacy of Studio Photography in India
Interior Worlds: The Legacy of Studio Photography in India
Varun Nayar
The Business of Dreams: Photographs from the Studio of Suresh Punjabi
The Business of Dreams: Photographs from the Studio of Suresh Punjabi
Varun Nayar
Understanding Adivasi Artists in the Contemporary Context
Understanding Adivasi Artists in the Contemporary Context
Mustafa Khanbhai
Dancing Bodies, Moving Touch: Textiles, Materiality and Touch in In...
Dancing Bodies, Moving Touch: Textiles, Materiality and Touch in Indian Dance
Krishna P Unny
In the Eye of the Beholder: Images, Imperialism, and a Photographic...
In the Eye of the Beholder: Images, Imperialism, and a Photographic Record of British India
Rachna Shetty
Celebratory Processions: Art Historical Records and What They Tell Us
Celebratory Processions: Art Historical Records and What They Tell Us
Simran Agarwal
Adorned in Dreams: Art and Poetry on Pakistan’s Highways
Adorned in Dreams: Art and Poetry on Pakistan’s Highways
Karishma Koshal
Textile Soundscapes: Weaving Song, Work and Memory
Textile Soundscapes: Weaving Song, Work and Memory
Chandrica Barua, Simran Agarwal, Niyati Dave
Surrounded by Scent: Perfumery in the Courtly Cultures of Early-Mod...
Surrounded by Scent: Perfumery in the Courtly Cultures of Early-Modern South Asia
Simran Agarwal
European Engravings and Christian Symbols in the Mughal Miniature P...
European Engravings and Christian Symbols in the Mughal Miniature Painting Tradition
Simran Agarwal
Collaboration, Invention and Artistic Development: The Kitabkhanas ...
Collaboration, Invention and Artistic Development: The Kitabkhanas of Mughal South Asia
Simran Agarwal
Opium and the Orient: An Intoxicant Made by Indian Labour
Opium and the Orient: An Intoxicant Made by Indian Labour
Chandrica Barua
The Travelling Gates: A Misadventure with Restoration
The Travelling Gates: A Misadventure with Restoration
Karishma Koshal
A Sticky Reputation: South Asia Through Mangoes Then and Now
A Sticky Reputation: South Asia Through Mangoes Then and Now
Karishma Koshal
An Indian Dancer Through an American Lens: Ram Gopal Visits Carl va...
An Indian Dancer Through an American Lens: Ram Gopal Visits Carl van Vechten
Krishna P Unny
The Palais Indiens: Early Architectural Studies of Monuments in India
The Palais Indiens: Early Architectural Studies of Monuments in India
Aswathy Gopinath
Documenting Trauma: The Colonial Gaze and the Ethics of Photography...
Documenting Trauma: The Colonial Gaze and the Ethics of Photography in 19th Century India and Myanmar
Rachna Shetty
In Perpetual Bloom: Pietra Dura Ornamentation at the Taj Mahal
In Perpetual Bloom: Pietra Dura Ornamentation at the Taj Mahal
Arundhati Chauhan
Kalila wa Dimna: Arabic Fables Inspired by the Panchatantra
Kalila wa Dimna: Arabic Fables Inspired by the Panchatantra
Chandrica Barua
Jain Monks, Scythian Princes and Persianate Influences: A 15th-cent...
Jain Monks, Scythian Princes and Persianate Influences: A 15th-century Folio
Simran Agarwal
When Queen Victoria Tried to “Place Her Authority on the Mughal Thr...
When Queen Victoria Tried to “Place Her Authority on the Mughal Throne”
Niyati Dave, Pallavi Surana
The Courtesan Who Commanded an Army: Begum Samru
The Courtesan Who Commanded an Army: Begum Samru
Chandrica Barua
Staining Lips Red for Centuries: The Heart-Shaped Betel Leaf
Staining Lips Red for Centuries: The Heart-Shaped Betel Leaf
Niyati Dave
Seeing Yourself in the Divine: The Sacred Mirrors of Kerala
Seeing Yourself in the Divine: The Sacred Mirrors of Kerala
Diya Shah
How South Asian Art Reached the World’s Museums
How South Asian Art Reached the World’s Museums
Niyati Dave
What One of the Earliest Mughal Paintings Says about Power and Ance...
What One of the Earliest Mughal Paintings Says about Power and Ancestry
Diya Shah
A Fifth-Century Sanskrit Play, Illustrated in Paris
A Fifth-Century Sanskrit Play, Illustrated in Paris
Aswathy Gopinath
‘Heads’ for the Queen: Rudolf Swoboda’s Indian Portraits
‘Heads’ for the Queen: Rudolf Swoboda’s Indian Portraits
Chandrica Barua
Art Meets Science: An 18th-Century Album Recording the Natural World
Art Meets Science: An 18th-Century Album Recording the Natural World
Chandrica Barua
How Kodak Ads Captured the Changing Indian Family
How Kodak Ads Captured the Changing Indian Family
Khushmi Mehta
Many Forms, Many Lives: Lajja Gauri in Indian Art
Many Forms, Many Lives: Lajja Gauri in Indian Art
Simran Agarwal
How a Victorian Magazine Paved the Way for Satirical Writing in India
How a Victorian Magazine Paved the Way for Satirical Writing in India
Aswathy Gopinath
The Unicorn Seals: An Indus Valley Mystery
The Unicorn Seals: An Indus Valley Mystery
Rachna Shetty
From ‘Joy-Giver’ to Antidote: Cannabis Consumption in India
From ‘Joy-Giver’ to Antidote: Cannabis Consumption in India
Khushmi Mehta
European Cherubs and Hindu Gods: A Portrait of Emperor Jahangir
European Cherubs and Hindu Gods: A Portrait of Emperor Jahangir
Niyati Dave, Anirudh Kanisetti
What a Sixteenth-century Manuscript Says about Syncretism, Mysticis...
What a Sixteenth-century Manuscript Says about Syncretism, Mysticism and Kingship in Bijapur
Rachna Shetty
Visions of an Unusual Utopia: Nek Chand’s Rock Garden
Visions of an Unusual Utopia: Nek Chand’s Rock Garden
Arundhati Chauhan
What Hero Stones Say about Death, Glory and Religion in Medieval India
What Hero Stones Say about Death, Glory and Religion in Medieval India
Anirudh Kanisetti
Collecting Chinese Porcelains in the Persianate World
Collecting Chinese Porcelains in the Persianate World
Anirudh Kanisetti
Caricaturing the West: Mewar’s ‘European Concoctions’
Caricaturing the West: Mewar’s ‘European Concoctions’
Chandrica Barua
Spiritual Transformations: Devī to Kami, India to Japan
Spiritual Transformations: Devī to Kami, India to Japan
Chandrica Barua
Distilling Rain in Three Acts: Paint, Dance, Bottle
Distilling Rain in Three Acts: Paint, Dance, Bottle
Chandrica Barua
Amrita and Boris: A Romance in Images
Amrita and Boris: A Romance in Images
Khushmi Mehta
An Immortal Imaginary: The Legacy of Amar Chitra Katha
An Immortal Imaginary: The Legacy of Amar Chitra Katha
Chandrica Barua
Tarikh-i-Alfi: Creating the Image of an Ideal King
Tarikh-i-Alfi: Creating the Image of an Ideal King
Anirudh Kanisetti
Collaboration amidst Contention: A Crossborder Art Exchange
Collaboration amidst Contention: A Crossborder Art Exchange
Khushmi Mehta
Adverts, Prints, Identity: The Unexpected Story of Tea Consumption ...
Adverts, Prints, Identity: The Unexpected Story of Tea Consumption in India
Aswathy Gopinath
Vishnu as Varaha: The Divine Boar From the Medieval to Modern
Vishnu as Varaha: The Divine Boar From the Medieval to Modern
Anirudh Kanisetti
Worship, Beauty and Fragrance: The Many Lives of the Jasmine Flower
Worship, Beauty and Fragrance: The Many Lives of the Jasmine Flower
Chandrica Barua
Taxidermy, Beyond the Narrative of Trophy-Hunting
Taxidermy, Beyond the Narrative of Trophy-Hunting
Rachna Shetty
Performing Art, Displaying Culture: Artisan Exhibits in Colonial Ex...
Performing Art, Displaying Culture: Artisan Exhibits in Colonial Exhibitions
Arundhati Chauhan, Chandrica Barua
Tales of Power and Prowess: Hanuman Bearing a Mountaintop with Medi...
Tales of Power and Prowess: Hanuman Bearing a Mountaintop with Medicinal Herbs
Khushmi Mehta
Lakshmi or Lakmé?: 19th Century Fashionable Orientalism
Lakshmi or Lakmé?: 19th Century Fashionable Orientalism
Chandrica Barua
Finding the Dangling Man Across History
Finding the Dangling Man Across History
Varun Nayar
Hunting the Tiger: A Symbol of Imperial Power
Hunting the Tiger: A Symbol of Imperial Power
Khushmi Mehta, Chandrica Barua
How Did Rajput Women Resist Patriarchal Portraiture?
How Did Rajput Women Resist Patriarchal Portraiture?
Khushmi Mehta
Spies, the City of Tawariq and the Hamzanama
Spies, the City of Tawariq and the Hamzanama
Pooja Savansukha
Kundan: Its History, Patronage and Making
Kundan: Its History, Patronage and Making
Shrey Maurya
The Peculiar Phenomenon of the Ajanta Cave Paintings
The Peculiar Phenomenon of the Ajanta Cave Paintings
Shrey Maurya
Street-theatre as a Form of Protest: Safdar Hashmi and JANAM
Street-theatre as a Form of Protest: Safdar Hashmi and JANAM
Khushmi Mehta
The Waq-Waq Tree and How it Fuelled the Mughal Imagination
The Waq-Waq Tree and How it Fuelled the Mughal Imagination
Pooja Savansukha
Parodying the Dubious Morality of the Bengali Middle-Class
Parodying the Dubious Morality of the Bengali Middle-Class
Shivani Kasumra
Quilting as a Form of Assimilation: Siddi Quilts and Quilt-makers
Quilting as a Form of Assimilation: Siddi Quilts and Quilt-makers
Shrey Maurya
Is Renaldi’s Muslim Lady Reclining a Subject to Voyeurism?
Is Renaldi’s Muslim Lady Reclining a Subject to Voyeurism?
Pooja Savansukha
What’s an Ideal Response to Falling in Love?
What’s an Ideal Response to Falling in Love?
Khushmi Mehta
Painting or a Diagram?: Looking at the Ayurvedic Man
Painting or a Diagram?: Looking at the Ayurvedic Man
Shivani Kasumra
Tracing Early Globalisation Through the Pineapple
Tracing Early Globalisation Through the Pineapple
Anirudh Kanisetti
How Talismanic Shirts Combined War and Literature
How Talismanic Shirts Combined War and Literature
Shivani Kasumra
Karma, Rebirth and Naraka According to Jain Cosmology
Karma, Rebirth and Naraka According to Jain Cosmology
Shrey Maurya
What Makes a Tortoise Representative of the Earth in Bhagavata Purana?
What Makes a Tortoise Representative of the Earth in Bhagavata Purana?
Chandrica Barua
The Orientalisation of Victoria Gouramma
The Orientalisation of Victoria Gouramma
Chandrica Barua
Karaikkal Ammaiyar: The Shaiva Poet-Saint
Karaikkal Ammaiyar: The Shaiva Poet-Saint
Shrey Maurya
Traversing Linear Perspective: Awadh through Faizallah’s Eyes
Traversing Linear Perspective: Awadh through Faizallah’s Eyes
Arundhati Chauhan
How did an Indian Game on Cosmic Philosophy Transfix Victorian Engl...
How did an Indian Game on Cosmic Philosophy Transfix Victorian England?
Arundhati Chauhan
The Emperor and his Wine Cups
The Emperor and his Wine Cups
Shrey Maurya
The Dutch East India Company’s “Imitation” of the Indian Patola
The Dutch East India Company’s “Imitation” of the Indian Patola
Pooja Savansukha
What Does the Legacy of Malik Ambar Tell us About the African-origi...
What Does the Legacy of Malik Ambar Tell us About the African-origin Diaspora in India?
Pooja Savansukha
What Rembrandt Learned from Mughal Miniatures
What Rembrandt Learned from Mughal Miniatures
Shrey Maurya
Otherworldly Labyrinthes: The Purposes Forged by Stepwells
Otherworldly Labyrinthes: The Purposes Forged by Stepwells
Pooja Savansukha
A Clandestine Meeting of Lovers: Chokha’s “Escapade at Night”
A Clandestine Meeting of Lovers: Chokha’s “Escapade at Night”
Shrey Maurya
Jewels and Horses: How the Horsehead Hilts combined two royal inter...
Jewels and Horses: How the Horsehead Hilts combined two royal interests of the Mughals
Shrey Maurya
From Monasteries to Community Theatre
From Monasteries to Community Theatre
Shrey Maurya
How Taj Mahal Inspired Dilras Banu Begum’s Tomb
How Taj Mahal Inspired Dilras Banu Begum’s Tomb
Pooja Savansukha
A Zoophyte Fantasy?
A Zoophyte Fantasy?
Pooja Savansukha
Does “Krishna’s Longing for Radha” Echo the Lyricism of Jayadeva’s ...
Does “Krishna’s Longing for Radha” Echo the Lyricism of Jayadeva’s Gita Govinda?
Pooja Savansukha
Offering Empathy: The Abhaya Mudra
Offering Empathy: The Abhaya Mudra
Shrey Maurya
Of Shiva or Ravana?: The Origins of Rudra Veena
Of Shiva or Ravana?: The Origins of Rudra Veena
Shrey Maurya
Murder and Art: The Kalighat Paintings of the Tarakeshwar Murder Trial
Murder and Art: The Kalighat Paintings of the Tarakeshwar Murder Trial
Pallavi Surana
Mapping the History of Ladakh’s Looms Through Murals
Mapping the History of Ladakh’s Looms Through Murals
Shrey Maurya
What Can the Construction of Gardens Reveal to us About Imperial Mo...
What Can the Construction of Gardens Reveal to us About Imperial Motives?
Pooja Savansukha
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