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Section of a Coping Rail; Shunga Period, Bharhut, Madhya Pradesh, India; c. 150 BC; Sandstone; 30.5 x 122 cm; Cleveland Museum of Art

Encyclopedia of Art

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Abhaya Mudra

Abhaya Mudra

One of the five commonly depicted...

Glossary

Chintz

Chintz

A glazed cotton fabric with a plain...

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Look a Little Closer

This royal chhatri, or umbrella, features intricate patterns and textures that we also see on the attire worn by the prince and princess portrayed underneath it. Their traditional garments, including jamas, angarkhas, paijamas and dupattas, contribute to our knowledge of culture and fashion at the time.

The vibrant red of the tent’s fabric here reflects the expertise of South Asian dyeing communities who were pioneers when it came to fixing vivid and long-lasting colours to cloth. The red colour we see is likely the result of the use of natural dyes such as lac or madder.

The painting depicts a huntress making love to a courtier who simultaneously aims his arrow at a tiger. Testing the limits of pleasure as well as strength, hunting has served as a metaphor for political and martial power, and the motif of tigers being hunted features widely across South Asian art.

Soft pastel colours and depictions of figures in profile as we see here, characterise Pahari painting styles of Rajput kingdoms at Basohli, Kulu, Guler and Kangra. The patronage of these courts is especially known to have established the careers of master artists such as Nainsukh and Manaku. Miniature paintings from these courts have also inspired contemporary artists such as Nilima Sheikh.

In addition to the intimate depiction of the two lovers we see here, notions of adoration are conveyed across South Asian art in a variety of ways. Mughal and Rajput paintings, for instance, often depict lovers swooning at each other’s sight.

The panels of this hunting enclosure, or qamargah, divide the scene temporally and spatially. Opulent fabrics such as these, have been used historically to also construct regal tents and shamianas that served as administrative centres, spaces of respite, entertainment, shelter and privacy, outside of palatial walls. Sign up for our Online Course to learn more about the various forms and functions associated with textiles.

Pleasures of the Hunt, c. 1800, Ink, opaque watercolor, gold and silver on paper, Metropolitan Museum of Art, New York

Stories

Trade, Power, Imagination: A 16th Century Portuguese Atlas

Trade, Power, Imagination: A 16th Century Portuguese Atlas

Harleen Kaur Bagga Harleen Kaur Bagga

Desires, Reactions, Interpretations: Murals and Inscriptions from S...

Desires, Reactions, Interpretations: Murals and Inscriptions from Sigiriya

Sarthak Sharma Sarthak Sharma

Hortus Malabaricus — How the Garden of Malabar Travelled the World

Hortus Malabaricus — How the Garden of Malabar Travelled the World

Rachna Shetty Rachna Shetty

Taken From Life: The Case of a 16th-century Indo-Portuguese Album

Taken From Life: The Case of a 16th-century Indo-Portuguese Album

Harleen Kaur Bagga Harleen Kaur Bagga

Mediated Conversations: Threshold Floor Drawings and the Blurring o...

Mediated Conversations: Threshold Floor Drawings and the Blurring of the Private and the Public

Alolika De Alolika De

Art and Power: Networks of Patronage in Contemporary South Asia

Art and Power: Networks of Patronage in Contemporary South Asia

Rachna Shetty Rachna Shetty

Interior Worlds: The Legacy of Studio Photography in India

Interior Worlds: The Legacy of Studio Photography in India

Varun Nayar Varun Nayar

The Business of Dreams: Photographs from the Studio of Suresh Punjabi

The Business of Dreams: Photographs from the Studio of Suresh Punjabi

Varun Nayar Varun Nayar

Understanding Adivasi Artists in the Contemporary Context

Understanding Adivasi Artists in the Contemporary Context

Mustafa Khanbhai Mustafa Khanbhai

Dancing Bodies, Moving Touch: Textiles, Materiality and Touch in In...

Dancing Bodies, Moving Touch: Textiles, Materiality and Touch in Indian Dance

Krishna P Unny Krishna P Unny

In the Eye of the Beholder: Images, Imperialism, and a Photographic...

In the Eye of the Beholder: Images, Imperialism, and a Photographic Record of British India

Rachna Shetty Rachna Shetty

Celebratory Processions: Art Historical Records and What They Tell Us

Celebratory Processions: Art Historical Records and What They Tell Us

Simran Agarwal Simran Agarwal

Adorned in Dreams: Art and Poetry on Pakistan’s Highways

Adorned in Dreams: Art and Poetry on Pakistan’s Highways

Karishma Koshal Karishma Koshal

Textile Soundscapes: Weaving Song, Work and Memory

Textile Soundscapes: Weaving Song, Work and Memory

Chandrica Barua, Simran Agarwal, Niyati Dave Chandrica Barua, Simran Agarwal, Niyati Dave

Surrounded by Scent: Perfumery in the Courtly Cultures of Early-Mod...

Surrounded by Scent: Perfumery in the Courtly Cultures of Early-Modern South Asia

Simran Agarwal Simran Agarwal

European Engravings and Christian Symbols in the Mughal Miniature P...

European Engravings and Christian Symbols in the Mughal Miniature Painting Tradition

Simran Agarwal Simran Agarwal

Collaboration, Invention and Artistic Development: The Kitabkhanas ...

Collaboration, Invention and Artistic Development: The Kitabkhanas of Mughal South Asia

Simran Agarwal Simran Agarwal

Opium and the Orient: An Intoxicant Made by Indian Labour

Opium and the Orient: An Intoxicant Made by Indian Labour

Chandrica Barua Chandrica Barua

The Travelling Gates: A Misadventure with Restoration

The Travelling Gates: A Misadventure with Restoration

Karishma Koshal Karishma Koshal

A Sticky Reputation: South Asia Through Mangoes Then and Now

A Sticky Reputation: South Asia Through Mangoes Then and Now

Karishma Koshal Karishma Koshal

An Indian Dancer Through an American Lens: Ram Gopal Visits Carl va...

An Indian Dancer Through an American Lens: Ram Gopal Visits Carl van Vechten

Krishna P Unny Krishna P Unny

The Palais Indiens: Early Architectural Studies of Monuments in India

The Palais Indiens: Early Architectural Studies of Monuments in India

Aswathy Gopinath Aswathy Gopinath

Documenting Trauma: The Colonial Gaze and the Ethics of Photography...

Documenting Trauma: The Colonial Gaze and the Ethics of Photography in 19th Century India and Myanmar

Rachna Shetty Rachna Shetty

In Perpetual Bloom: Pietra Dura Ornamentation at the Taj Mahal

In Perpetual Bloom: Pietra Dura Ornamentation at the Taj Mahal

Arundhati Chauhan Arundhati Chauhan

Kalila wa Dimna: Arabic Fables Inspired by the Panchatantra

Kalila wa Dimna: Arabic Fables Inspired by the Panchatantra

Chandrica Barua Chandrica Barua

Jain Monks, Scythian Princes and Persianate Influences: A 15th-cent...

Jain Monks, Scythian Princes and Persianate Influences: A 15th-century Folio

Simran Agarwal Simran Agarwal

When Queen Victoria Tried to “Place Her Authority on the Mughal Thr...

When Queen Victoria Tried to “Place Her Authority on the Mughal Throne”

Niyati Dave, Pallavi Surana Niyati Dave, Pallavi Surana

The Courtesan Who Commanded an Army: Begum Samru

The Courtesan Who Commanded an Army: Begum Samru

Chandrica Barua Chandrica Barua

Staining Lips Red for Centuries: The Heart-Shaped Betel Leaf

Staining Lips Red for Centuries: The Heart-Shaped Betel Leaf

Niyati Dave Niyati Dave

Seeing Yourself in the Divine: The Sacred Mirrors of Kerala

Seeing Yourself in the Divine: The Sacred Mirrors of Kerala

Diya Shah Diya Shah

How South Asian Art Reached the World’s Museums

How South Asian Art Reached the World’s Museums

Niyati Dave Niyati Dave

What One of the Earliest Mughal Paintings Says about Power and Ance...

What One of the Earliest Mughal Paintings Says about Power and Ancestry

Diya Shah Diya Shah

A Fifth-Century Sanskrit Play, Illustrated in Paris

A Fifth-Century Sanskrit Play, Illustrated in Paris

Aswathy Gopinath Aswathy Gopinath

‘Heads’ for the Queen: Rudolf Swoboda’s Indian Portraits

‘Heads’ for the Queen: Rudolf Swoboda’s Indian Portraits

Chandrica Barua Chandrica Barua

Art Meets Science: An 18th-Century Album Recording the Natural World

Art Meets Science: An 18th-Century Album Recording the Natural World

Chandrica Barua Chandrica Barua

How Kodak Ads Captured the Changing Indian Family

How Kodak Ads Captured the Changing Indian Family

Khushmi Mehta Khushmi Mehta

Many Forms, Many Lives: Lajja Gauri in Indian Art

Many Forms, Many Lives: Lajja Gauri in Indian Art

Simran Agarwal Simran Agarwal

How a Victorian Magazine Paved the Way for Satirical Writing in India

How a Victorian Magazine Paved the Way for Satirical Writing in India

Aswathy Gopinath Aswathy Gopinath

The Unicorn Seals: An Indus Valley Mystery

The Unicorn Seals: An Indus Valley Mystery

Rachna Shetty Rachna Shetty

From ‘Joy-Giver’ to Antidote: Cannabis Consumption in India

From ‘Joy-Giver’ to Antidote: Cannabis Consumption in India

Khushmi Mehta Khushmi Mehta

European Cherubs and Hindu Gods: A Portrait of Emperor Jahangir

European Cherubs and Hindu Gods: A Portrait of Emperor Jahangir

Niyati Dave, Anirudh Kanisetti Niyati Dave, Anirudh Kanisetti

What a Sixteenth-century Manuscript Says about Syncretism, Mysticis...

What a Sixteenth-century Manuscript Says about Syncretism, Mysticism and Kingship in Bijapur

Rachna Shetty Rachna Shetty

Visions of an Unusual Utopia: Nek Chand’s Rock Garden

Visions of an Unusual Utopia: Nek Chand’s Rock Garden

Arundhati Chauhan Arundhati Chauhan

What Hero Stones Say about Death, Glory and Religion in Medieval India

What Hero Stones Say about Death, Glory and Religion in Medieval India

Anirudh Kanisetti Anirudh Kanisetti

Collecting Chinese Porcelains in the Persianate World

Collecting Chinese Porcelains in the Persianate World

Anirudh Kanisetti Anirudh Kanisetti

Caricaturing the West: Mewar’s ‘European Concoctions’

Caricaturing the West: Mewar’s ‘European Concoctions’

Chandrica Barua Chandrica Barua

Spiritual Transformations: Devī to Kami, India to Japan

Spiritual Transformations: Devī to Kami, India to Japan

Chandrica Barua Chandrica Barua

Distilling Rain in Three Acts: Paint, Dance, Bottle

Distilling Rain in Three Acts: Paint, Dance, Bottle

Chandrica Barua Chandrica Barua

Amrita and Boris: A Romance in Images

Amrita and Boris: A Romance in Images

Khushmi Mehta Khushmi Mehta

An Immortal Imaginary: The Legacy of Amar Chitra Katha

An Immortal Imaginary: The Legacy of Amar Chitra Katha

Chandrica Barua Chandrica Barua

Tarikh-i-Alfi: Creating the Image of an Ideal King

Tarikh-i-Alfi: Creating the Image of an Ideal King

Anirudh Kanisetti Anirudh Kanisetti

Collaboration amidst Contention: A Crossborder Art Exchange

Collaboration amidst Contention: A Crossborder Art Exchange

Khushmi Mehta Khushmi Mehta

Adverts, Prints, Identity: The Unexpected Story of Tea Consumption ...

Adverts, Prints, Identity: The Unexpected Story of Tea Consumption in India

Aswathy Gopinath Aswathy Gopinath

Vishnu as Varaha: The Divine Boar From the Medieval to Modern

Vishnu as Varaha: The Divine Boar From the Medieval to Modern

Anirudh Kanisetti Anirudh Kanisetti

Worship, Beauty and Fragrance: The Many Lives of the Jasmine Flower

Worship, Beauty and Fragrance: The Many Lives of the Jasmine Flower

Chandrica Barua Chandrica Barua

Taxidermy, Beyond the Narrative of Trophy-Hunting

Taxidermy, Beyond the Narrative of Trophy-Hunting

Rachna Shetty Rachna Shetty

Performing Art, Displaying Culture: Artisan Exhibits in Colonial Ex...

Performing Art, Displaying Culture: Artisan Exhibits in Colonial Exhibitions

Arundhati Chauhan, Chandrica Barua Arundhati Chauhan, Chandrica Barua

Tales of Power and Prowess: Hanuman Bearing a Mountaintop with Medi...

Tales of Power and Prowess: Hanuman Bearing a Mountaintop with Medicinal Herbs

Khushmi Mehta Khushmi Mehta

Lakshmi or Lakmé?: 19th Century Fashionable Orientalism

Lakshmi or Lakmé?: 19th Century Fashionable Orientalism

Chandrica Barua Chandrica Barua

Finding the Dangling Man Across History

Finding the Dangling Man Across History

Varun Nayar Varun Nayar

Hunting the Tiger: A Symbol of Imperial Power

Hunting the Tiger: A Symbol of Imperial Power

Khushmi Mehta, Chandrica Barua Khushmi Mehta, Chandrica Barua

How Did Rajput Women Resist Patriarchal Portraiture?

How Did Rajput Women Resist Patriarchal Portraiture?

Khushmi Mehta Khushmi Mehta

Spies, the City of Tawariq and the Hamzanama

Spies, the City of Tawariq and the Hamzanama

Pooja Savansukha Pooja Savansukha

Kundan: Its History, Patronage and Making

Kundan: Its History, Patronage and Making

Shrey Maurya Shrey Maurya

The Peculiar Phenomenon of the Ajanta Cave Paintings

The Peculiar Phenomenon of the Ajanta Cave Paintings

Shrey Maurya Shrey Maurya

Street-theatre as a Form of Protest: Safdar Hashmi and JANAM

Street-theatre as a Form of Protest: Safdar Hashmi and JANAM

Khushmi Mehta Khushmi Mehta

The Waq-Waq Tree and How it Fuelled the Mughal Imagination

The Waq-Waq Tree and How it Fuelled the Mughal Imagination

Pooja Savansukha Pooja Savansukha

Parodying the Dubious Morality of the Bengali Middle-Class

Parodying the Dubious Morality of the Bengali Middle-Class

Shivani Kasumra Shivani Kasumra

Quilting as a Form of Assimilation: Siddi Quilts and Quilt-makers

Quilting as a Form of Assimilation: Siddi Quilts and Quilt-makers

Shrey Maurya Shrey Maurya

Is Renaldi’s Muslim Lady Reclining a Subject to Voyeurism?

Is Renaldi’s Muslim Lady Reclining a Subject to Voyeurism?

Pooja Savansukha Pooja Savansukha

What’s an Ideal Response to Falling in Love?

What’s an Ideal Response to Falling in Love?

Khushmi Mehta Khushmi Mehta

Painting or a Diagram?: Looking at the Ayurvedic Man

Painting or a Diagram?: Looking at the Ayurvedic Man

Shivani Kasumra Shivani Kasumra

Tracing Early Globalisation Through the Pineapple

Tracing Early Globalisation Through the Pineapple

Anirudh Kanisetti Anirudh Kanisetti

How Talismanic Shirts Combined War and Literature

How Talismanic Shirts Combined War and Literature

Shivani Kasumra Shivani Kasumra

Karma, Rebirth and Naraka According to Jain Cosmology

Karma, Rebirth and Naraka According to Jain Cosmology

Shrey Maurya Shrey Maurya

What Makes a Tortoise Representative of the Earth in Bhagavata Purana?

What Makes a Tortoise Representative of the Earth in Bhagavata Purana?

Chandrica Barua Chandrica Barua

The Orientalisation of Victoria Gouramma

The Orientalisation of Victoria Gouramma

Chandrica Barua Chandrica Barua

Karaikkal Ammaiyar: The Shaiva Poet-Saint

Karaikkal Ammaiyar: The Shaiva Poet-Saint

Shrey Maurya Shrey Maurya

Traversing Linear Perspective: Awadh through Faizallah’s Eyes

Traversing Linear Perspective: Awadh through Faizallah’s Eyes

Arundhati Chauhan Arundhati Chauhan

How did an Indian Game on Cosmic Philosophy Transfix Victorian Engl...

How did an Indian Game on Cosmic Philosophy Transfix Victorian England?

Arundhati Chauhan Arundhati Chauhan

The Emperor and his Wine Cups

The Emperor and his Wine Cups

Shrey Maurya Shrey Maurya

The Dutch East India Company’s “Imitation” of the Indian Patola

The Dutch East India Company’s “Imitation” of the Indian Patola

Pooja Savansukha Pooja Savansukha

What Does the Legacy of Malik Ambar Tell us About the African-origi...

What Does the Legacy of Malik Ambar Tell us About the African-origin Diaspora in India?

Pooja Savansukha Pooja Savansukha

What Rembrandt Learned from Mughal Miniatures

What Rembrandt Learned from Mughal Miniatures

Shrey Maurya Shrey Maurya

Otherworldly Labyrinthes: The Purposes Forged by Stepwells

Otherworldly Labyrinthes: The Purposes Forged by Stepwells

Pooja Savansukha Pooja Savansukha

A Clandestine Meeting of Lovers: Chokha’s “Escapade at Night”

A Clandestine Meeting of Lovers: Chokha’s “Escapade at Night”

Shrey Maurya Shrey Maurya

Jewels and Horses: How the Horsehead Hilts combined two royal inter...

Jewels and Horses: How the Horsehead Hilts combined two royal interests of the Mughals

Shrey Maurya Shrey Maurya

From Monasteries to Community Theatre

From Monasteries to Community Theatre

Shrey Maurya Shrey Maurya

How Taj Mahal Inspired Dilras Banu Begum’s Tomb

How Taj Mahal Inspired Dilras Banu Begum’s Tomb

Pooja Savansukha Pooja Savansukha

A Zoophyte Fantasy?

A Zoophyte Fantasy?

Pooja Savansukha Pooja Savansukha

Does “Krishna’s Longing for Radha” Echo the Lyricism of Jayadeva’s ...

Does “Krishna’s Longing for Radha” Echo the Lyricism of Jayadeva’s Gita Govinda?

Pooja Savansukha Pooja Savansukha

Offering Empathy: The Abhaya Mudra

Offering Empathy: The Abhaya Mudra

Shrey Maurya Shrey Maurya

Of Shiva or Ravana?: The Origins of Rudra Veena

Of Shiva or Ravana?: The Origins of Rudra Veena

Shrey Maurya Shrey Maurya

Murder and Art: The Kalighat Paintings of the Tarakeshwar Murder Trial

Murder and Art: The Kalighat Paintings of the Tarakeshwar Murder Trial

Pallavi Surana Pallavi Surana

Mapping the History of Ladakh’s Looms Through Murals

Mapping the History of Ladakh’s Looms Through Murals

Shrey Maurya Shrey Maurya

What Can the Construction of Gardens Reveal to us About Imperial Mo...

What Can the Construction of Gardens Reveal to us About Imperial Motives?

Pooja Savansukha Pooja Savansukha

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