Paintings at one of the oldest shrines at Vijayanagara (present-day Hampi), the murals at the Virupaksha temple mostly depict deities and scenes from Hindu mythology. They were painted during the sixteenth century, with additions or refurbishments made in the eighteenth century.

The murals were made on the ceilings of the temple and generally consist of gods or narratives symmetrically arranged around carved sculptural lotuses. The painted figures are enframed by multi-lobed arches, and generally accompanied by panels containing attendants, minor deities such as the dikpalas, and mythical creatures. The visual scheme is typical of the region and period, with compositions divided into sections containing figures arranged around a central panel. The sections are separated by decorative borders.

The scenes portrayed are typically from the Puranas and the epics, including the wedding of Shiva and Parvati, scenes from the Ramayana, and Tripura Samhara (Shiva’s destruction of three asura cities). Other deities depicted include Vishnu and Lakshmi, Brahma and Saraswati, Kama and Rati, Bhairava, Narada, Tumburu, and the Dashavatara. Some murals are more closely linked to the founding legends of Vijayanagara and of the temple, such as the marriage of Shiva as Virupaksha and the local goddess Pampa; the divine couple is accompanied by deities, attendants, and musicians. The sage Vidyaranya, whom the Vijayanagara rulers believed was their preceptor, is also depicted seated in a palanquin. He leads a procession of soldiers, drummers, and men bearing ritual items to worship the Virupaksha lingam.