A series of accusations of sexual harassment and complicity made against various influential figures in the Indian art industry, the Me Too movement found a foothold in India in 2018. It is considered to have been initiated by Indian artist Pyaari Azaadi, formerly known as Jaishri Abichandani, in 2017 in New York, and was followed by allegations being made mostly by women against male artists and curators through anonymous posts on social media. Beyond the art world, the Me Too movement began earlier in 2017 as a solidarity label (#MeToo) for public testimonies by women of sexual assault and coercion by Hollywood producer Harvey Weinstein. The phrase “Me Too” was first used on social media in 2006 by activist Tarana Burke to highlight sexual assault against women of colour in the USA, and since 2017, it began to be used in other public-facing industries such as politics and media. In the Indian art world, the movement sparked discussions on the patriarchal industry and its unregulated structure.

In October 2017, shortly after the opening of a retrospective exhibition of the works of Raghubir Singh at the Met Breuer, New York, Pyaari Azaadi published a Facebook post accusing Singh of sexually assaulting her in 1995. In December, Abichandani and several others held a performance protest against Singh’s show before the Met Breuer. These events initiated conversations on social media around artistic legacy, power dynamics and the role of institutions in supporting them.

In October 2018, several more public accusations were made on social media against prominent figures in Indian art. Most of these were posted through an anonymous whistleblower account called Scene and Herd (@herdsceneand), which aggregated personal narratives by survivors, whose identities were protected, to engage in broader discussions on power and gender. The first accusation was shared by a reporter who accused photographer Pablo Bartholomew of harassing her over the phone. Soon after, artist Amaaya Dasgupta accused photographer Shahid Datawala of sexual harassment in 2016. Around the same time, Scene and Herd published a series of posts in which they started to name the accused in survivors’ accounts and included artists, curators and gallerists, scholars and academics. The first named was Rahul Bhattacharya, a curator who had a previous history of sexual harassment while serving on the faculty of the Gujarat National Law University, Gandhinagar, and was accused of financially exploiting young women artists. This was followed by allegations against Jatin Das, an artist who already had a reputation of serial sexual harassment; Valsan Kolleri, a sculptor who allegedly harassed a woman during the Kochi-Muziris Biennale; Riyas Komu, who was accused of manipulating and sexually assaulting young artists; Mir Imtiyaz Ali, accused of intimidation and prolonged sexual harassment of a student; and Binoy Varghese, who was called out for predatory behaviour towards a younger artist and student. Others accused included Balagopalan Bethur, Edson Beny Dias, Harendra Mahato, Subodh Gupta and Sumesh Sharma.