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    ARTICLE

    Cholamandal Artists’ Village

    Map Academy

    Articles are written collaboratively by the EIA editors. More information on our team, their individual bios, and our approach to writing can be found on our About pages. We also welcome feedback and all articles include a bibliography (see below).

    An artist collective located in the village of Cholamandal, Chennai, the Cholamandal Artists’ Village is the largest self-sufficient artist community in India, focusing specifically on modern and contemporary art. The collective was originally envisioned by KCS Paniker in 1966 as a refuge for artists where they could live and work. His vision was to also promote a mutual exchange of creative ideas and projects, in line with the Madras School, as he had witnessed a lack thereof in the 1960s. Named after the Chola dynasty of the ninth–thirteenth centuries CE, Cholamandal was intended to continue the legacy of the Cholas’ patronage of the arts.

    The Cholamandal Artists’ Village began with thirty artists and sculptors — most of whom belonged to Government School of Arts and Crafts, Chennai — who sought to break away from Western influences and re-establish their South Indian visual identities and refocus on Indian heritage and continuity of tradition through communal efforts between artists.

    Located in Injambakkam, approximately nine kilometres from Chennai, the village is spread across 10 acres and includes homes and artists’ studios for rent, a permanent contemporary art gallery of sculpture, painting, graphics and drawings, Artists’ Handicrafts Association offices, a metalsmith workshop and Bharathi, an open-air theatre where discussions and conferences are held. The maintenance of the artists’ studios was initiated by the artists as a collective with zero involvement of private or public institutions. The artists who inhabited (and some who currently inhabit) the village live in basic thatched-roof cottages built with bamboo. In order for the artists to sustain themselves, it was decided that artists will produce handicrafts alongside working on their practice. The earnings went into a collective fund from which the artists drew funds for sustenance.

    The village also holds an international sculpture park with artworks from international artists who have either visited Cholamandal through cultural exchange programmes and organisations or on their own accord. Cholamandal also began publishing an art journal, Artrends, which provided the artists with a public stage to present their accomplishments both in India and internationally. The Progressive Painters Association (1972), which rose out of Cholamandal, is largely attributed with creating “small format” artworks or miniatures that are more accessible to the public. These were sold in an exhibition called Contemporary Miniatures (2014) which also travelled to other parts of the country.

    The village received international acclaim on platforms such as the Venice Biennale, Paris Biennale and CommonwealthArtFestival, London. In 2018, artists living and working in Cholamandal exhibited their works at the Forum Art Gallery, Chennai. The village also holds the Museum of the Madras Movement, which is held within the Cholamandal Centre for Contemporary Art – established in 2009 to give space to pioneering artists of the “Madras Movement” – as well as two commercial galleries, Indigo and Laburnum.

    Today, the village is a major tourist attraction in Chennai. The original format of Cholamandal as a commune has shifted, and it is now primarily inhabited by homeowners who lease their homes to artists, however, the Artists Handicrafts Association continues to oversee the colony. Moreover, the village is no longer accepting new artists – an aspect that has been highly criticised by scholars and artists alike – even though the numbers have dwindled from forty to twenty-one.

    Some of the notable names to emerge from the village, apart from Paniker, are Velu Viswanathan, M Senathipathi and P Krishnamoorthy, who was the Secretary of the village from 1964–70; they are also credited with initiating the Madras School art movement. Other artists who were part of the village include J Sultan Ali, M Redeppa Naidu and Akkitham Narayanan.

     

     
    Bibliography

    Bhagat, Ashrafi S. “Drifting Threads: Cholamandal Artists’ Village Over Fifty Years.” Critical Collective. Accessed July 20, 2021. https://criticalcollective.in/SearchResult.aspx?search=Cholamandal.

    Brittney. “Celebrating 50 Years of Contemporary Art with the Cholamandalam Artists’ Village in Chennai – Interview.” Art Radar, April 16, 2018. https://artradarjournal.com/2018/04/16/the-cholamandalam-artists-village-and-1×1-of-a-kind-in-chennai-interview/.

    Brown, Rebecca M. “KCS Paniker’s Painterly Deflections.” South Asian Studies: Society for South Asian Studies, June 2021. https://doi-org.ezproxy.cul.columbia.edu/10.1080/02666030.2021.1922208.

    Cholamandal Artists’ Village. “About Us.” Accessed September 24, 2021. http://www.cholamandalartistsvillage.org/aboutus.html.

    Cholamandal Artists’ Village. “Paintings from the Museum of Madras Movement.” Google Arts & Culture. Accessed July 19, 2021. https://artsandculture.google.com/exhibit/paintings-from-the-museum-of-madras-movement/dwISFwP4POwpLA?hl=en.

    James, Josef. “An Artists Village.” Lalit Kala Contemporary, September 1987. https://www.sahapedia.org/sites/default/files/Lalit%20Kala%20Contemporary%2035.pdf.

    Kinzer, Stephen. “Arts Abroad; In India, Pioneers of Modernism Savor Their Success.” The New York Times, January 29, 1998. https://www.nytimes.com/1998/01/29/arts/arts-abroad-in-india-pioneers-of-modernism-savor-their-success.html.

    Ramnarayan, Gowri. “Brush With Peace.” The Hindu. Accessed September 24, 2021. https://web.archive.org/web/20041211092311/http://www.hindu.com/thehindu/mag/2004/07/18/stories/2004071800020100.htm.

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