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    ARTICLE

    Kashmiri Shawl

    Map Academy

    Articles are written collaboratively by the EIA editors. More information on our team, their individual bios, and our approach to writing can be found on our About pages. We also welcome feedback and all articles include a bibliography (see below).

    Warm, lightweight handloom garments originally made in Kashmir using pashmina or shahtoosh yarn, Kashmiri shawls were traditionally made by weaver families, with the women spinning the yarn and men weaving the fabric. The shawls are characterised by their intricate buta pattern, woven using the kani twill weave or embroidered in sozni and amli, which are applied on a plain base. These shawls were also called ring shawls since the material was so fine that the entire shawl could be pulled through a small ring.

    The earliest mention of Kashmiri shawls dates to the eleventh century CE, and they have been traded across North Africa, West, Central Asia and Russia since the sixteenth century CE. Imperial patronage has played a key role in the movement and design of the shawls. In India, the garment and its weaving industry received patronage from Mughal kings, who presented allies and high-ranking guests with the shawls as khil’at. This custom was later adopted by the Sikh ruler Maharaja Ranjit Singh, who incentivised Kashmiri weavers to relocate to parts of Punjab in the early nineteenth century.

    The shawls also became part of European fashion from the eighteenth century onwards, facilitated by the British East India Company. While the shawls were worn primarily by men in South and Central Asia, in Europe, they were marketed as luxury apparel for women, with cashmere soon becoming symbolic of elite taste.

    Following the development of European mechanical looms, mass-produced imitations of various Indian textiles, including Kashmiri shawls, became commonplace in Europe and across the world. The buta motif was replicated in Western versions of the garment and became more stylised with each iteration and more common in both high- and low-quality imitations of the Kashmiri shawl. The motifs on the pre-colonial designs of the shawls, which had simpler butas and floral elements that were limited to the borders, were soon replaced by the new paisley patterns all over the fabric favoured by Western buyers.

    Today, Kashmiri shawls are a luxury product; it usually takes artisans up to a year to produce a single shawl, and the garment has limited functional value compared to more affordable polyester-based clothing. At present, traditional Kashmiri shawls are produced in limited numbers and face strong competition from machine-made shawls spun from materials other than pashmina.

     
    Bibliography

    Ahmed, Monisha. “The Politics of Pashmina: The Changpas of Eastern Ladakh.” Nomadic Peoples 8, no. 2 (2004).

    Maskiell, Michelle. “Consuming Kashmir: Shawls and Empires, 1500–2000.” Journal of World History 13, no. 1 (2002).

    Ranjan, Aditi, and M. P. Ranjan. Handmade in India: Crafts of India. Ahmedabad: Mapin, 2007.

    Skarratt, Ben. “From India to Europe: The Production of the Kashmir Shawl and the Spread of the Paisley Motif.” Global History of Capitalism Project. University of Oxford, August 2018. https://globalcapitalism.history.ox.ac.uk/sites/default/files/globalcapitalism/documents/media/case_04_-_the_paisley_0.pdf.

    Zutshi, Chitralekha. ““Designed for Eternity”: Kashmiri Shawls, Empire, and Cultures of Production and Consumption in Mid-Victorian Britain.” Journal of British Studies 48, no. 2 (2009).

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