In an attempt to keep our content accurate and representative of evolving scholarship, we invite you to give feedback on any information in this article.

    This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.


    ARTICLE

    Mansur (active late 1580s–1626)

    Map Academy

    Articles are written collaboratively by the EIA editors. More information on our team, their individual bios, and our approach to writing can be found on our About pages. We also welcome feedback and all articles include a bibliography (see below).

    A painter for the Mughal court, Mansur worked during the reigns of Akbar and Jahangir. Well-known for his precise studies and illustrations of flora and fauna, Mansur was awarded the title of Nadir-al-Asr (the wonder of the age) for his work by Jahangir.

    Before rising to prominence as an established painter in his own right, Mansur worked under senior masters, most notably Basawan, Kanha and Miskin. Mansur was also known for his gold illuminated and calligraphed frontispieces, or sarlaw, and owner-title pages, or shamsa. At Akbar’s court, he worked on the first editions of the Akbarnama (Book of Akbar, 1589–90), Baburnama (Book of Babur, 1589) and the Chingiznama (Book of Chingiz, c.1590) and was most likely bestowed the title of “Ustad” or Master, at some point during this period. In some cases, his name is also suffixed with Naqqash, which could indicate that he came from a family of artists.

    The Coronation of Jahangir (c.1605) was one of his earliest works. During Jahangir’s reign, Mansur devoted his practice to painting the likeness of a variety of flora and fauna and started painting individual paintings rather than contributing to illustrated manuscripts, which were more popular during Akbar’s reign. Most famous amongst these are his painting of a dodo (1612), based on a living bird brought to Jahangir from Goa; a Barbary falcon (1619), another gift to the Emperor, from Shah Abbas of Persia; and a Siberian crane (1625), which is also considered to be one of the first visual records of the species. Apart from fauna, Mansur also recorded flowers, for example during his visit to Kashmir with Jahangir he is known to have created over a hundred paintings of flowers. There are also detailed records of Mansur and his paintings in Jahangir’s memoirs, Tuzk-e-Jahangiri.

     

     
    Bibliography

    Google Arts and Culture. “Ustad Mansur.” Accessed December 10, 2021. https://artsandculture.google.com/entity/ustad-mansur/m0308db?hl=en

    Guy, John., Britschgi, Jorrit. Wonder of the Age: Master Painters of India, 1100-1900. United Kingdom: Metropolitan Museum of Art, 2011. https://www.google.co.in/books/edition/Wonder_of_the_Age/06Tq2sviwoUC?hl=en&gbpv=1&dq=Ustad+Mansur&printsec=frontcover

    Verma, Som Prakash. Mug̲h̲al painter of flora and fauna Ustād Manṣūr. India, Abhinav Publications, 1999. https://www.google.co.in/books/edition/Mug̲h̲al_Painter_of_Flora_and_Fauna_Us/sVikgEevb-IC?hl=en&gbpv=1&dq=Mansur&printsec=frontcover

    Verma, S.P. “MUGHAL PAINTING, PATRONS AND PAINTERS.” Proceedings of the Indian History Congress 61 (2000): 510–26. http://www.jstor.org/stable/44148128.

    Welch, Stuart Cary. The Emperors’ Album: Images of Mughal India. United States: Metropolitan Museum of Art, 1987. https://www.google.co.in/books/edition/The_Emperors_Album/FDIyr9LRJ0MC?hl=en&gbpv=1

    Feedback
     
    Related Content
    loading