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    ARTICLE

    Bose Krishnamachari (b. 1963)

    Map Academy

    Articles are written collaboratively by the EIA editors. More information on our team, their individual bios, and our approach to writing can be found on our About pages. We also welcome feedback and all articles include a bibliography (see below).

    Contemporary artist and curator known for spearheading the Kochi-Muziris Biennale, Bose Krishnamachari’s artistic practice constitutes abstract paintings, multimedia installations, figurative drawings and photographs.

    Krishnamachari was born in Angamaly, Kerala, in a family of carpenters, which was instrumental to him developing an early interest in sketching and drawing. In 1985, he received a diploma in art from the Kerala Kala Peedam, Kochi, followed by a Bachelor’s in fine art from the Sir JJ School of Art, Mumbai (1986–91), where he was introduced to artists such as Atul Dodiya, Laxman Shrestha, Kapil Gupta, Nuru Karim and Ranjit Hoskote. Following this, he explored other art forms, such as classical music, dance and theatre, and in 1999, he was awarded the Charles Wallace Scholarship, which allowed him to pursue his postgraduate studies from Goldsmiths College, London. Krishnamachari also travelled to London and the US on scholarships, where he was introduced to artists such as Anish Kapoor and Tom Marioni.

    Known primarily for his bright abstract paintings, Krishnamachari has worked across styles and media over the course of his career, from creating figurative works to multimedia installations. He aims for the juxtaposition of different mediums and artistic disciplines, often borrowing from literature, design and contemporary culture. His early work, especially those shown at his first solo exhibition in 1990, were characterised by a minimalist style, which employed white perforated paper reminiscent of Braille lettering. His figurative works are marked by flat colours set against photographic representations of the people. He also examines underlying power structures in society, highlighted in his ballpoint sketches of working class people in Mumbai.

    In 2008, he opened his own art space, Gallery BMB, in Mumbai, where he has actively curated several group shows, including Docu Tour (2010), featuring the works of Gauri Gill, Vivek Vilasini, Anup Mathew Thomas and Shankar Natarajan. Other shows he has curated include Maarkers, Bodhi Art, Mumbai (2006); Soft Spoken, Jehangir Nicholson Gallery, Mumbai (2007); and Spy, The Guild, Mumbai (2007). In 2012, he co-founded the Kochi-Biennale Foundation with Riyas Komu. He has since served as the Biennale Director and Kochi Biennale Foundation trustee, where he oversees the various editions of the Biennale. He is also an avid art collector and had conceptualised setting up a museum in Kerala that would showcase the works in his collection, which includes works by American artists Damien Hirst and Ed Ruscha, Praneet Soi, Gargi Raina and Tejal Shah.

    In 1985, Krishnamachari received the Kerala Lalit Kala Akademi Award. He was also the recipient of the Bombay Arts Society Awards in 1991 and 1992. His works have been shown at numerous exhibitions across India and internationally, including the Jehangir Art Gallery, Mumbai (1993); the National Gallery of Modern Art, Mumbai (1998); Palette Art Gallery, New Delhi (2004); Lalit Kala Akademi, New Delhi (2007); Tao Art Gallery, Mumbai (2009); Latitude 28, New Delhi (2011); and Aicon Gallery, New York (2012). In 2019, after a gap of about nine years, he held a solo show consisting of a series of nine works at Emami Art at Kolkata Centre for Creativity.

    At the time of writing, he lives and works between Mumbai and Kochi.

     
    Bibliography

    Datta, Rita. “The World Around Reflected in Darkness.” The Telegraph, March 06, 2020. https://www.telegraphindia.com/culture/arts/art-review-bose-krishnamachari-solo-exhibition-at-kolkata-centre-for-creativity/cid/1751575.

    Doshi, Riddhi. “Meet the Big Boss of India’s Art Scene.” Hindustan Times, March 25, 2017. https://www.hindustantimes.com/brunch/meet-the-big-boss-of-india-s-art-scene/story-btwQlxeoeMR4sp0DSqJlGO.html.

    Ghosh, Ananya. “Bose Krishnamachari – Creator or Curator?” Hindustan Times, February 11, 2020. https://www.hindustantimes.com/brunch/ht-brunch-cover-story-bose-krishnamachari-creator-or-curator/story-OI2GWuDi2ca5Sk8Y8pSNyO.html.

    Kalra, Vandana. “‘As an Artist, It’s Important to Have Conversations’, Says Artist Bose Krishnamachari.” The Indian Express, January 19, 2020. https://indianexpress.com/article/express-sunday-eye/artist-its-important-to-have-conversations-says-artist-bose-krishnamachari-6223263/.

    Kumar, Rahul. “Bose Krishnamachari Presents ‘The Mirror Sees Best in the Dark’, A Solo in Nine Years.” Stir World, February 08, 2020. https://www.stirworld.com/inspire-people-bose-krishnamachari-presents-the-mirror-sees-best-in-the-dark-a-solo-in-nine-years.

    Mojarto. “Bose Krishnamachari.” Accessed July 22, 2021. https://www.mojarto.com/artists/bose-krishnamachari-10335.

    Nair, Nandini. “Bose Krishnamachari: Through a Mirror Darkly.” Open Magazine, January 10, 2020. https://openthemagazine.com/art-culture/bose-krishnamachari-through-a-mirror-darkly/.

    Pal, Deepanjana. “Beyond Photoshop.” The Caravan, August 01, 2010. https://caravanmagazine.in/reviews-and-essays/beyond-photoshop.

    Roy, Vaishna. “Bose Krishnamachari’s First Solo in Nine Years Makes Words Play the Role of Images.” The Hindu, February 08, 2020. https://www.thehindu.com/entertainment/art/bose-krishnamacharis-first-solo-in-nine-years-makes-words-play-the-role-of-images/article30761703.ece.

    Saffronart. “Bose K.” Accessed July 22, 2021. https://www.saffronart.com/artists/bose-k.

    Solanki, Veeranganakumari. “The Kochi-Muziris Biennale | Interview with Bose Krishnamachari and Riyas Komu.” Culture 360, January 13, 2014. https://culture360.asef.org/magazine/kochi-muziris-biennale-interview-bose-krishnamachari-and-riyas-komu/.

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